Tag: theological aesthetics
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‘I am a Trappist like the trees’: The Glory of the Lord, Seeing the Form, Introduction, 5-7.
As the introduction to The Glory of the Lord winds to a close, Balthasar’s sweeping vision for revising how theology might be done through the ontological intervention of theological aesthetics comes together. Helpfully, he writes of its two dimensions toward the end: It comes at the end of what I can only describe as a…
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The Sinophone Milk Tea I needed: The Glory of the Lord, Seeing the Form, Introduction, 3-4
In sections 3 and 4 of the introduction to Seeing the Form, Balthasar takes on what he sees as the Protestant evisceration of theological aesthetics. He begins with Luther, moves through Schleiermacher, and ends up at Barth. There’s one author he says who bucks this trend, Gerhard Nebel, who in a way is writing in…
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‘Begin again’: The Glory of the Lord, Seeing the Form, Introduction, 1-2
As Balthasar opens, the problem announces itself. It is, as Edward Said also noted later on, the problem of the beginning. The first word a theologian starts with is ‘the truth of the growing kingdom of God both as it now is in the fulness of God’s creation and also in the weakness of the…